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In 1913 Guillaume Appolinaires Alcools was published. It marked a watershed in French, therefore demesne, literature, and is tell by the Encyclopaedia Britannica as Appolinaires poetic masterpiece. The verse featured on this course, Hôtels, was included in this extremely original, advanced(a) and influential collection. Hôtels combines conventional verse forms with truly new-fashioned resourcefulness to great offspring, and through this merits its place in this celebrated poetic collection. The traditional element can be noted in the complex body part of the verse form. Here is a rime of six stanzas, of quadruple lines each and with the with a simple abab cdcd efef ghgh ijij klkl rhyme scheme. The traditional rime scheme lulls the reader into a false sense of security, the recline of the rhythm created is somehow diverged by the striking design of serious imagery, and the groundbreaking theme of the poet/peasant complex. The meter is almost at odds with itself, and thus, highlights the wave-particle duality between the realness of poetry and the forces per watchwordnel of the Hôtel. Furthermore, the poem sits very tidily on the page, and is not opticly striking to the viewer. This is a clever device habituate by Appolinaire which leads the reader to believe that the poem will hold a conventional theme, and thus, allowing Appolinaires salient theme and avant-garde substance abuse of modern imagery have a more friendly aftermath on the reader. This modern use of imagery is acquit noted in the poems first section, and creates a listless, tired mood. The fabrication of the veuve in the first line sets up an uneasiness in the reader. The room of the hotel is personified. However, a widow derives connotations of loss, grief and remorse which evokes in the reader an ambiance of pain, suffering and holdlessness. The presence neuve although a presence is an clear one, which is in itself almost more isolatin g than complete solitude. This gives the poe! t an eager and uneasy presence in the poem. Appolinaire uses this unease to great effect later the poem, notably when he describes his voisin as laid. The acrid roll of tobacco creates a pungent and unpleasant scene, it can be seen by the reader as seeping and percolating throughout the sordid human of the hotel . The distant noise of traffic focuses the poets detachment from the macrocosm of the outside(prenominal) human and adds a auditory element to the poem. It also acts as a reminder to the reader to the extent of the isolation of the poet when he does in fact, ferme son porte. The opposing microcosm is to be found in the poets testify room, in his seul engagement, the introduction of art and poetry. The stern stanza adds a lethargic, nihilistic character to the poem, La Vallière. This adds a knowledgeable element, Qui boite et rit, which emphasises the squalid, sleazy and seedy atmosphere. The Babel languages image although appears to be a prescribed im age of diversity, suggests a further isolation. The final stanza reinforces the judgment of the sequester poet, Fermons nos Portes à double tour Chacun apporte Son seul intimacy. The seul liaison underscores the underlying image of the poem, the isolated poet, who finds his only love in the piece of words he creates. Thematically, Hôtels is far from traditional. It is touch on with the poet/peasant complex and the loneliness and isolation of the poet in society. The poem depicts a man, stranded in a land of isolation, breakup and seclusion. The world of the Hotel is harsh and unforgiving, those around him do not fee him any heed, Mon voisin laid Qui fume un âcre Tabac anglais. Although isolated, the poet finds solace in his seul amour, poetry. The babel languages that surround the poet argon suggestive of a language and a means of interaction that is foreign to the poet. It also seems that Appolinaire wishes to give emphasis to the irony he saw in the world he lived in, that is, a society where appreciat! ion is reserved for the peasant and misgiving for the poet who is, in a sense, banished and forced to exist on the periphery, this indecision is evident in the lines Le patron doute Payera-t-on .         The atmosphere created in the poem is one of urban squalor and dilapidation. The ugliness of the evil world of the Hotel is emphasised by the physical description of the inhabit Mon voisin laid. The action of smoking is a very visual image, an image associated with intoxication and poisoning. It suggests and underscores the hopelessness and despair of the artless world which the poet sees around him, and its ability to affect and infect those who dwell in it. The atmosphere is nihilistic and despondent, the people of the hotel are depicted in an unsightly and repulsive way, that to signher they know many langues, and notwithstanding are unable to communicate. The mood is lonely, lethargic and listless. This serves as a personal credit line to the world of the poet, his seul amour which gives him comfort and warmth in a harsh, guileless and artless world. The world of the poet is of amour and stock-still it is son world. This emphasises the isolation of the poet, the seclusion. Is also sets him apart from the other inhabitants of the world of the hotel, and and so the world of traffic which continues to exist without him, by dictum it is a personal world, dear to the poets heart.. Nevertheless, the atmosphere is inconsistent, at the inauguration of the poem it is one of pain, isolation and loneliness, however, in the final stanza it develops into an atmosphere of hope, hope in a self-created world of art and poetry. This adjustment in atmosphere enriches the readers enjoyment of the poem, it serves to toy with the emotions of the reader, and bring them on an delirious journey with the poet. Hôtels, although almost one 100 geezerhood old, is a poem that does not look nor penetrate old-fashioned. The dichotomy between a modern world and a world of technology still strikes ! a chord in todays reader. Hôtels through its originality in literary technique remain a fascinating read for a student of French Literature, or anyone else for that matter. The poem juxtaposes the old and the new, using traditional forms and modern imagery, and as such is wholly deserving of our attention. If you want to get a full essay, order it on our website: OrderEssay.net

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